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Lawyer-Client Relations as Seen in The Sopranos 229 James M. Images of Justice and The Sopranos Representations of Law and Justice in The Sopranos: An Introduction 221 Barbara Villez Tomasulo “All Caucasians Look Alike”: Dreams of Whiteness at the End of The Sopranos 208 Christopher Kocela Grynbaum The Guinea as Tragic Hero: The Complex Representation of Italian Americans in The Sopranos 196 Frank P. Ethnic and Social Concerns Mangia Mafia! Food, Punishment, and Cultural Identity in The Sopranos 183 Michael M. Dreams and Therapy Fishes and Football Coaches: The Narrative Necessity of Dreams in The Sopranos 149 Cynthia Burkhead From Here to InFinnerty: Tony Soprano and the American Way 157 Terri Carney “Whatever Happened to Stop and Smell the Roses?”: The Sopranos as Anti-therapeutic Narrative 166 David Pattie Cinematic Concerns The Producers: The Dangers of Filmmaking in The Sopranos 127 Cameron Golden Comfortably Numb? The Sopranos, New Brutalism, and the Last Temptation of Chris 137 Glen Creeber Honoring the Social Compact: The Last Temptation of Melfi 105 Nancy McGuire Roche A “Finook” in the Crew: Vito Spatafore, The Sopranos, and the Queering of the Mafia Genre 114 George De Stefano Gendering The Sopranos “Blabbermouth Cunts” or, Speaking in Tongues: Narrative Crises for Women in The Sopranos and Feminist Dilemmas 93 Kim Akass and Janet McCabe Characters “Half a Wiseguy”: Paulie Walnuts, Meet Tom Stoppard 57 Paul Wright Christopher, Osama, and A.J.: Contemporary Narcissism and Terrorism in The Sopranos 65 Jason Jacobs “When It Comes to Daughters, All Bets Are Off”: The Seductive Father-Daughter Relationship of Tony and Meadow Soprano 81 Marisa Carroll Nochimson Author(iz)ing Chase 41 Robin Nelson Edgerton From Made Men to Mad Men: What Matthew Weiner Learned from David Chase 17 David Lavery The Sopranos: If Nothing Is Real, You Have Overpaid for Your Carpet 23 Martha P. The Sopranos, David Chase, HBO, and Television The Sopranos as Tipping Point in the Second Coming of HBO 7 Gary R. Member of the Association of American University Presses Manufactured in the United States of America. PN1992.77.S66E88 2011 791.45’72-dc23 2011019762 This book is printed on acid-free paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. (Essential readers in contemporary media and culture) Includes bibliographical references and index. Howard, and Paul Levinson foreword by David Bianculli. Library of Congress Cataloging-in-Publication Data The essential Sopranos reader / edited by David Lavery, Douglas L. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 15 14 13 12 11 Howard, and Paul Levinson Foreword by David BianculliĬopyright © 2011 by David Lavery The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. SOPRANOS READER Edited by David Lavery, Douglas L.
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Written in a clear and accessible style, books in the series include both single-author works and edited collections. Topics in the series may include, but are not limited to, critical-cultural examinations of creators, content, institutions, and audiences associated with the media industry. Along with providing original insights and explorations of critical themes, the series is intended to provide readers with the best available resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Essential Readers in Contemporary Media and Culture This series is designed to collect and publish the best scholarly writing on various aspects of television, film, the Internet, and other media of today.